Many people who first begin writing poetry believe there is only one way to rhyme.  They tend to repeat “perfect rhyme” in every poem they write.  Such poems are greatly limited by this practice.  They also become terribly boring because they lack flexibility.  This column is designed to help you become a master of rhyme, so you can rhyme creatively and effectively.  Your rhymes will become less predictable and more cunning.

 

The measure of good rhyme is experienced in the ears and mouth – not just following the rules of rhyme.

 

The following chart shows a variety of rhyming techniques.  The left column tells the name of the technique.  The centre column gives examples that rhyme with the word “stop.”  Read the examples aloud so you can hear and feel the rhyming sounds.   Fill in the third column with your own examples.  Read your examples out loud to experience the similarity of sounds.

 

Rhyming Technique

Rhyme with “Stop”

Your Examples

Perfect rhyme (vowel and consonant are a perfect match)

Hop, pop, cop

 

Alliteration of final consonant /p/

Cap, lip, rope

 

 

Near alliteration of final consonant (/b/ with /p/ sound)

Cab, tub, tab

 

Alliteration of first consonants /st/

Steal, steer, stay

 

 

Assonance of vowel (ah)

Blonde, wander, pond

 

 

Match all consonants /s/, /t/, /p/

Stub, stamp, steep

 

 

 

In the next exercise, determine for yourself how well the words rhyme.  Write down the rhyming technique that describes how creatively the two words match.

 

Sample Words

How do the words rhyme?

1.  Stop, Postal

1.  The /s/, /t/ and /p/ sounds match, but in reverse order

 

2.  Stop, Tropical

2.

 

3.  Stop, Pistol

3.

 

4.  Stop, Erotic

4.

 

5.  Stop, Estate

5.

 

 

 From the above exercises, you can see there is great flexibility in rhyming techniques.  Try the following exercise with the two-syllable word “justice” and see if your rhyming skill is becoming more flexible and spontaneous.  Notice that many of the examples are not perfect rhyme.  Instead, the examples show “near” rhyme, which greatly increases word choice.

 

Rhyming Technique

Rhyme with “Justice”

Your Examples

Perfect rhyme (of first syllable)

Trust, must

 

 

Perfect rhyme (of second syllable)

Kiss, miss

 

 

Alliteration of consonant /j/

Jail, badge, judge

 

 

Alliteration of consonants /st/

Fast, steam

 

 

Alliteration of consonant /s/

Peace, safe

 

 

Assonance of vowel (second syllable /i/)

Insist, assist

 

 

Match all consonant sounds /j/, /s/, /t/

Gist, juiced

 

 

Feminine Rhyme (both syllables rhyme)

Trust is, Crushed Ice

 

 

 

Philosophy of Rhyme

 

Rhyming can be either a barrier or a springboard to expression.  Using only perfect rhymes is a handcuff on creativity.

 

 

For those who use only perfect rhyme, poems are very limited.  A major problem with the “perfect rhyme” philosophy is that words are often selected only to meet the strict “rules of rhyme” in which the writer believes.  Many beginning poets try so hard to use perfect rhyme that they forget to develop images and theme in the poem. 

 

Most importantly, words need to be selected for both sound and meaning.  In the exercise for the word justice, did you notice that many of the words are related to a theme of justice (judge, jail, trust, peace, assist)?  With these words available, a poem concerning justice can be developed.  Rhyme is not merely a plaything of poets, but a signpost towards meaning.  It is used to draw attention to theme.

 

Rhyming can be either a barrier or a springboard to expression.  Some people even claim, “I can’t write poetry” only because they are unable to find suitable rhymes.  Do you want to wear handcuffs while writing poetry?